Placing the pieces on ready made plinths, to say that they are sculpture, on the floor to see what this says, however i feel this speaks to much of ritual and then around the gallery space placed to highlight their unusualness. By placing them next to a ready made sculpture i am directly relating them and juxtaposing them to classical figurative sculpture, this has an interesting effect and evokes meaning.
Tuesday, 15 May 2007
Deciding how to display the work for the critique
Placing the pieces on ready made plinths, to say that they are sculpture, on the floor to see what this says, however i feel this speaks to much of ritual and then around the gallery space placed to highlight their unusualness. By placing them next to a ready made sculpture i am directly relating them and juxtaposing them to classical figurative sculpture, this has an interesting effect and evokes meaning.
I have finished waxing the clothing that i want to wax, however i would like to try an idea in the future, where i stage a paint fight getting people to wear white clothes and then wax the painted clothing into sculptures. I now need to decide how best to display the pieces, whether to show just photographs or the pieces or both. I feel i definetly want to show the sculptures and feel that they are probably strong enough to be shown on their own and without mediation. So i have spent the last couple of days experimenting with different arangements of the pieces in different sites. I feel that although they are interesting outside the gallery i want to fit them into the gallery context and to show them all in one room. At first i tried a circular formation on the floor however this spoke of rituals and gave another meaning to my piece, which i felt convoluted the concept. I need to make sure the displaying of the pieces doesnt detract from what i am wanting to say about distorting the human form. I then decided to have more fun with them, not grouping them all together, having them all around the studio/gallery space using different means of displaying for different pieces. This worked much better and the pieces retain their unusual and fun aspects by this random quirky placement.
Friday, 11 May 2007

Experimenting with putting the pieces as a set into the gallery context, placing them in different formations to decide how to display them in the gallery. I need to consider how, where and by what means is the best place to display them. I am considering taking a photo of them in a launderette, on the streets of glasgow etc and displaying them, or displaying the pieces themselves.
The last few days i have been doing some more waxing in the workshop, munipulating the clothing into more interesting shapes, and also munipulating them by sewing before hand. I have taken items of clothing and attached them together and then waxed them. Once waxed the clothing needed to be munipulated at just the right time, if too early the clothing would collapse, if too late the clothing would be too stiff to munipulate and would then crack, hot water could be used to munipulate the clothing to a certain extent however not too effectively. I played around with balance, seeing what unusual positions i could stand the clothing in.
I found that the most succesful pieces were the ones which were self standing and the ones which people could still recognise that the objects were clothing. The pieces which looked as though a human could wear them were the most succesfull. I have also continued to experiment with distorting the body using the computer.
I found that the most succesful pieces were the ones which were self standing and the ones which people could still recognise that the objects were clothing. The pieces which looked as though a human could wear them were the most succesfull. I have also continued to experiment with distorting the body using the computer.
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